How many stops are on the Art & Museums walking tour in Athens?

The Art & Museums route in Athens includes 12 curated stops.

How long does the Art & Museums tour in Athens take?

The Art & Museums walking tour in Athens takes approximately 6 hours at a leisurely pace.

Is the Art & Museums walking tour in Athens free?

Yes, Promenario's Art & Museums tour in Athens is free to download and use, with full offline support.

🇬🇷 Athens, Greece

Art & Museums in Athens

Museums, galleries, and culturally rich collections. Explore 12 curated stops in Athens, including Parthenon, Acropolis Museum, and Temple of Olympian Zeus. Highlights include Parthenon, rated 4.7/5 by 17,695 visitors.

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12 places in this collection

Art & Museums places

12 places in this collection

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Parthenon

The Parthenon (/ˈpɑːrθəˌnɒn, -nən/; Ancient Greek: Παρθενών; Greek: Παρθενώνας, Parthenónas) is a former temple on the Athenian Acropolis, dedicated to the goddess Athena, whom the people of Athens considered their patron. Construction began in 447 BC when the Athenian Empire was at the peak of its power. It was completed in 438 BC, although decoration of the building continued until 432 BC. It is the most important surviving building of Classical Greece, generally considered the zenith of the Doric order. Its decorative sculptures are considered some of the high points of Greek art. The Parthenon is regarded as an enduring symbol of Ancient Greece, Athenian democracy and Western civilization, and one of the world's greatest cultural monuments. To the Athenians who built it, the Parthenon and other Periclean monuments of the Acropolis were seen fundamentally as a celebration of Hellenic victory over the Persian invaders and as a thanksgiving to the gods for that victory. The Parthenon itself replaced an older temple of Athena, which historians call the Pre-Parthenon or Older Parthenon, that was destroyed in the Persian invasion of 480 BC. The temple is archaeoastronomically aligned to the Hyades. Like most Greek temples, the Parthenon served a practical purpose as the city treasury. For a time, it served as the treasury of the Delian League, which later became the Athenian Empire. In the final decade of the 6th century AD, the Parthenon was converted into a Christian church dedicated to the Virgin Mary. After the Ottoman conquest, it was turned into a mosque in the early 1460s. On 26 September 1687, an Ottoman ammunition dump inside the building was ignited by Venetian bombardment. The resulting explosion severely damaged the Parthenon and its sculptures. From 1800 to 1803, Thomas Bruce, 7th Earl of Elgin removed some of the surviving sculptures, now known as the Elgin Marbles, with the alleged permission of the Turks of the Ottoman Empire. Since 1975 numerous large-scale restoration projects have been undertaken.

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Acropolis Museum

The Acropolis Museum (Greek: Μουσείο Ακρόπολης, Mouseio Akropolis) is an archaeological museum focused on the findings of the archaeological site of the Acropolis of Athens. The museum was built to house every artifact found on the rock and on the surrounding slopes, from the Greek Bronze Age to Roman and Byzantine Greece. It also lies over the ruins of a part of Roman and early Byzantine Athens. The museum was founded in 2003, while the Organization of the Museum was established in 2008. It opened to the public on 20 June 2009. Nearly 4,000 objects are exhibited over an area of 14,000 square metres. The Organization for the Construction of the new museum is chaired by Aristotle University of Thessaloniki Professor Emeritus of Archaeology, Dimitrios Pandermalis.

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Temple of Olympian Zeus

The Temple of Olympian Zeus (Greek: Ναός του Ολυμπίου Διός, Naós tou Olympíou Diós), also known as the Olympieion or Columns of the Olympian Zeus, is a former colossal temple. It was dedicated to "Olympian" Zeus, a name originating from his position as head of the Olympian gods. Construction began in the 6th century BC during the rule of the Athenian tyrants, who envisaged building the greatest temple in the ancient world, but it was not completed until the reign of the Roman Emperor Hadrian in the 2nd century AD, some 638 years after the project had begun. During the Roman period the temple -that included 104 colossal columns- was renowned as the largest temple in Greece and housed one of the largest cult statues in the ancient world. The temple's glory was short-lived, as it fell into disuse after being pillaged during a barbarian invasion in 267 AD, just about a century after its completion. It was probably never repaired and was reduced to ruins thereafter. In the centuries after the fall of the Roman Empire, it was extensively quarried for building materials to supply building projects elsewhere in the city. Despite this, a substantial part of the temple remains today, notably sixteen of the original gigantic columns, and it continues to be part of a very important archaeological site of Greece.

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Ancient Agora

The Ancient Agora of Classical Athens is the best-known example of an ancient Greek agora, located to the northwest of the Acropolis and bounded on the south by the hill of the Areopagus and on the west by the hill known as the Agoraios Kolonos, also called Market Hill. The Agora's initial use was for a commercial, assembly, or residential gathering place. The museum is housed in the Stoa of Attalos, and its exhibits are connected with the Athenian democracy. The collection of the museum includes clay, bronze and glass objects, sculptures, coins and inscriptions from the 7th to the 5th century BCE, as well as pottery of the Byzantine period and the Turkish occupation. The exhibition within the museum contains work of art which describes the private and public life in ancient Athens. In 2012, new sculpture exhibition was added to the museum which includes portraits from Athenian Agora excavation. The new exhibition revolves around portraits of idealized gods, officially honored people of the city, wealthy Roman citizens of the 1st and 2nd century; CE, 3rd-century citizens and finally on work of art from private art schools of late antiquity. The Stoa of Attalos (also spelled Attalus) was a stoa (covered walkway or portico) in the Agora of Athens. It was built by and named after King Attalos II of Pergamon, who ruled between 159 BC and 138 BC. The current building was reconstructed in 1952–1956 by American architects along with the Greek architect Ioannis Travlos and the Greek Civil Engineer Yeoryios Biris.

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Syntagma Square

Syntagma Square (Greek: Πλατεία Συντάγματος, "Constitution Square") is the central square of Athens. The square is named after the Constitution that Otto, the first King of Greece, was obliged to grant after a popular and military uprising on 3 September 1843. It is located in front of the 19th century Old Royal Palace, housing the Greek Parliament since 1934. Syntagma Square is the most important square of modern Athens from both a historical and social point of view, at the heart of commercial activity and Greek politics. The name Syntagma (Greek: Σύνταγμα) alone also refers to the neighbourhood surrounding the square. The square is bordered by Amalia Avenue (Leofóros Amalías) to the east, Otto Street (Óthonos) to the south and King George I Street (Vasiléos Georgíou Prótou) to the north. The street bordering the square to the west, connecting Stadiou Street with Fillelinon Street, is simply named "Syntagma Square" (Plateia Syntágmatos). The eastern side of the square is higher than the western, and dominated by a set of marble steps leading to Amalias Avenue; beneath these lies the Syntagma metro station. The stairs emerge below between a pair of outdoor cafes, and are a popular city-centre gathering place. Syntagma also includes two green areas to the north and south, planted with shade trees, while in the centre of the square there is a large mid-19th century water fountain. The Old Royal Palace neoclassical building, housing the Greek Parliament since 1934, is immediately across Amalias Avenue to the east, and surrounded by the extensive National Gardens, which are open to the public; the Parliament itself is not open to the public, even when not in session. Every hour, the changing of the guard ceremony, performed by the Presidential Guard, is conducted in front of the Tomb of the Unknown Soldier on the area between the Syntagma Square and Parliament building. On certain days, a ceremonial changing of the guard occurs with an army band and the majority of the 120 Evzones present at 11 am.

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Hellenic Parliament

The Hellenic Parliament (Greek: Ελληνικό Κοινοβούλιο, transliterated Elliniko Kinovoulio), in Greek known as Voulí ton Ellínon (Greek: Βουλή των Ελλήνων, literally Parliament (or Will) of the Hellenes) is the parliament of Greece, located in the Old Royal Palace, overlooking Syntagma Square in Athens. The Old Royal Palace (Greek: Παλαιά Ανάκτορα Palaiá Anáktora) is the first royal palace of modern Greece, completed in 1843. It has housed the Hellenic Parliament since 1934. The Old Palace is situated at the heart of modern Athens, facing onto Syntagma Square. The Parliament is the supreme democratic institution that represents the citizens through an elected body of Members of Parliament (MPs). It is a unicameral legislature of 300 members, elected for a four-year term. During 1844–1863 and 1927–1935, the parliament was bicameral with an upper house, the Senate, and a lower house, the Chamber of Deputies, which retained the name Vouli. Several important Greek statesmen have served as Speakers of the Hellenic Parliament.

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Arch of Hadrian

The Arch of Hadrian (Greek: Αψίδα του Αδριανού, romanized: Apsida tou Adrianou), most commonly known in Greek as Hadrian's Gate (Greek: Πύλη του Αδριανού, romanized: Pyli tou Adrianou), is a monumental gateway resembling – in some respects – a Roman triumphal arch. It spanned an ancient road from the center of Athens, Greece, to the complex of structures on the eastern side of the city that included the Temple of Olympian Zeus. It has been proposed that the arch was built to celebrate the adventus (arrival) of the Roman Emperor Hadrian and to honor him for his many benefactions to the city, on the occasion of the dedication of the nearby temple complex in 131 or 132 AD. It is not certain who commissioned the arch, although it is probable that the citizens of Athens or another Greek group were responsible for its construction and design. There were two inscriptions on the arch, facing in opposite directions, naming both Theseus and Hadrian as founders of Athens. While it is clear that the inscriptions honor Hadrian, it is uncertain whether they refer to the city as a whole or to the city in two parts: one old and one new. The early idea, however, that the arch marked the line of the ancient city wall, and thus the division between the old and the new regions of the city, has been shown to be false by further excavation. The arch is located 325m southeast of the Acropolis.

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Erechtheion

The Erechtheion or Erechtheum (/ɪˈrɛkθiəm, ˌɛrɪkˈθiːəm/; Ancient Greek: Ἐρέχθειον, Greek: Ερέχθειο) is an ancient Greek temple on the north side of the Acropolis of Athens which was dedicated to both Athena and Poseidon. The temple as seen today was built between 421 and 406 BC. Its architect may have been Mnesicles, and it derived its name from a shrine dedicated to the legendary Greek hero Erichthonius. The sculptor and mason of the structure was Phidias, who was employed by Pericles to build both the Erechtheum and the Parthenon. On the north side, there is another large porch with six Ionic columns, and on the south, the famous "Porch of the Maidens", with six draped female figures (caryatids) as supporting columns. The porch was built to conceal the giant 15-ft beam needed to support the southwest corner over the Kekropion, after the building was drastically reduced in size and budget following the onset of the Peloponnesian war.

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Odeon of Herodes Atticus

The Odeon of Herodes Atticus (also called Herodeion or Herodion) is a stone theatre structure located on the southwest slope of the Acropolis of Athens. The building was completed in 161 AD and then renovated in 1950. It was built in 161 AD by the Athenian magnate Herodes Atticus in memory of his wife, Aspasia Annia Regilla. It was originally a steep-sloped theater with a three-story stone front wall and a wooden roof made of expensive cedar of Lebanon timber. It was used as a venue for music concerts with a capacity of 5,000. It lasted intact until it was destroyed and left in ruins by the Heruli in 267 AD.

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Theatre of Dionysus

The Theatre of Dionysus Eleuthereus is a major theatre in Athens, considered to be the world's first theatre, built at the foot of the Athenian Acropolis. Dedicated to Dionysus, the god of plays and wine (among other things), the theatre could seat as many as 17,000 people with excellent acoustics, making it an ideal location for ancient Athens' biggest theatrical celebration, the Dionysia. It was the first theatre ever built, cut into the southern cliff face of the Acropolis, and supposedly the birthplace of Greek tragedy. The remains of a restored and redesigned Roman version can still be seen at the site today. It is sometimes confused with the later, smaller, and better-preserved Odeon of Herodes Atticus, located nearby on the southwest slope of the Acropolis. The site has been used as a theatre since the sixth century BC. The existing structure dates back to the fourth century BC but it has had many other later remodellings. On November 24, 2009 the Greek government announced that they would partially restore the Theatre of Dionysus.

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Temple of Athena Nike

The Temple of Athena Nike (Greek: Ναός Αθηνάς Νίκης, Naós Athinás Níkis) is a temple on the Acropolis of Athens, dedicated to the goddess Athena Nike. Built around 420 BC, the temple is the earliest fully Ionic temple on the Acropolis. It has a prominent position on a steep bastion at the south west corner of the Acropolis to the right of the entrance, the Propylaea. In contrast to the Acropolis proper, a walled sanctuary entered through the Propylaea, the Victory Sanctuary was open, entered from the Propylaea's southwest wing and from a narrow stair on the north. The sheer walls of its bastion were protected on the north, west, and south by the Nike Parapet, named for its frieze of Nikai celebrating victory and sacrificing to their patroness, Athena Nike. Nike means "victory" in Greek, and Athena was worshipped in this form, representative of being victorious in war. The citizens worshipped the goddess in hopes of a successful outcome in the long Peloponnesian War fought against the Spartans and their allies.

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Metropolitan Cathedral

The Metropolitan Cathedral of the Annunciation (Greek: Καθεδρικός Ναός Ευαγγελισμού της Θεοτόκου) popularly known as the "Mētrópolis", is the cathedral church of the Archbishopric of Athens and all Greece. Construction of the Cathedral began on Christmas Day, 1842 with the laying of the cornerstone by King Otto and Queen Amalia. Construction started under the architect Theophil Hansen and was continued by Dimitris Zezos, Panagis Kalkos and François Boulanger. Workers used marble from 72 demolished churches to build the Cathedral's immense walls. Three architects and 20 years later, it was completed. On May 21, 1862, the completed Cathedral was dedicated to the Annunciation of the Mother of God (Ευαγγελισμός της Θεοτόκου) by the King and Queen. The Cathedral is a three-aisled, domed basilica that measures 130 feet (40 m) long, 65 feet (20 m) wide, and 80 feet (24 m) high. Inside are the tombs of two saints killed by the Ottoman Turks during the Ottoman period: Saint Philothei and Patriarch Gregory V. To the immediate south of the Cathedral is the little Church of St. Eleftherios also called the "Little Mitropoli." In the Square in front of the Cathedral stand two statues. The first is that of Saint Constantine XI the Ethnomartyr, the last Byzantine Emperor. The second is a statue of Archbishop Damaskinos who was Archbishop of Athens during World War II and was Regent for King George II and Prime Minister of Greece in 1946. The Metropolitan Cathedral remains a major landmark in Athens and the site of important ceremonies with national political figures present, as well as weddings and funerals of notable personalities.

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