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Nightlife in Graz

🇦🇹 Graz, Austria

Nightlife in Graz

Evening districts, bars, and lively after-dark streets. Explore 8 curated stops in Graz, including Schlossberg, Mausoleum of Emperor Ferdinand II, and Graz Castle. Highlights include Franciscan Church, rated 4.6/5 by 406 visitors.

8 stops ~4h Available in app

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8 places in this collection

Nightlife places

8 places in this collection

Schlossberg Image by Ralf Roletschek, CC BY-SA 3.0 AT

Schlossberg

The Schlossberg (English: Castle Hill) is a tree-clad hill, and the site of a fortress, in the centre of the city of Graz. The hill is now a public park and enjoys extensive views of the city. It is the site of several entertainment venues, cafés and restaurants, and is managed by Holding Graz, the city owned utility company. The fortification of the Schlossberg goes back to at least the 10th century. In the mid-16th century, a 400 m (1,300 ft) long fortress was constructed by architects from the north of Italy. There are records of a cable-hauled lift being in use between 1528 and 1595 to move construction materials for the fortifications. The castle was never conquered, but it was largely demolished by Napoleonic forces under the Treaty of Schönbrunn of 1809. The clock tower (the Uhrturm) and bell tower (the Glockenturm) were spared after the people of Graz paid a ransom for their preservation. The remains of the castle were turned into a public park by Ludwig von Welden in 1839. The park contains the Uhrturm, the Glockenturm, a cistern (the Türkenbrunnen) and two bastions from the old castle. The Uhrturm is a recognisable icon for the city, and is unusual in that the clock's hands have opposite roles to the common notion, with the larger one marking hours while the smaller is for minutes. The Glockenturm contains Liesl, the heaviest bell in Graz. Near the Uhrturm there is a café with views over the old town. Additionally, on the western side of the Schlossberg, there are two small cafés, one with table service and the other one with self-service. Next to the terminus of the funicular railway there is a hilltop restaurant with views of western Graz. In what was once the cellar of one of the ruined bastions is the Kasemattenbühne, an open-air stage for concerts and performances. Below the Schlossberg hill is an extensive system of tunnels, which were created during the second world war to protect the civilian population of Graz from aerial bombing. Some of these tunnels are still accessible, including a passage from Schlossbergplatz to Karmeliterplatz, and Fairytale Express Graz, a grotto railway for children. Also in the tunnel complex is the Dom im Berg, which was expanded in 2000 to provide a venue space for up to 600 people. The summit of the hill is linked to the city centre by various steep paths and staircases, and by the Schlossbergbahn, a funicular railway. Additionally the recent Schlossberg lift links the summit to the tunnel system and, via that, to Schlossbergplatz. Each year the Elevate Festival, a festival for contemporary music, art and political discourse, is held in various venues in and around the Schlossberg.

Mausoleum of Emperor Ferdinand II Image by Felix König, CC BY 3.0

Mausoleum of Emperor Ferdinand II

The mausoleum of Emperor Ferdinand II next to the Graz Cathedral is a monumental sacral and representative building from the 17th century, which was connected by two different buildings. The 1614 begun and completed after decades Bauunterbrechungen 1714 system consists of St. Catherine and the subsequent grave Chapel for Kaiser Ferdinand II. And his family. Together they form one of the most significant architectural monuments of Austria from Mannerism, the transitional period from the Renaissance to the Baroque. For the complex, two different sacral buildings have been combined in plan and spatial concept: a church dedicated to St. Catherine of Alexandria and an oval central building adjoining it in the south as a funerary chapel for Emperor Ferdinand II and his family. To the east around the apse was an enclosing formwork around the sacristy and the Mesnerwohnung, which is crowned by a slender tower. The conception of the plant shows the ecclesiastical and dynastic representational intentions of the builder Ferdinand II: The cross-shaped ground plan of St. Catherine's Church points to the Christian belief that the oval shape of the funerary chapel is a symbol of resurrection. The crowning of the domes of St. Catherine's Church and funerary chapel in the form of scepter and imperial eagle with imperial sword and orb symbolize the Habsburg dynasty and its claim to power in the empire. In St. Catherine's Church, the patronal feast of St. Catherine of Alexandria not only refers to a medieval predecessor, but is also in context with the University of Graz, founded in 1585 by Archduke Karl II (the father of Ferdinand II) and led by the Jesuit order the patron saint of St. Catherine of Alexandria (patroness of the sciences). The sandstone figures on the west facade - representing St. Catherine, flanked by two angels and two persons converted to Christianity by her - and the painted copper plaques in the niches depicting the lives of the saints, not only make up the patron saint of the church and University-related program, but show in the converted to the Christian faith Porphyrius and Faustina also a counter-Reformation aspect. Built under the direction of Giovanni Pietro de Pomis, the building shows strong Italian influences on the building. Thus, the oval floor plan with an oval dome of the funerary chapel is the first of its kind outside of Italy.

Graz Castle Image by gugganij, CC BY-SA 3.0

Graz Castle

The Graz Castle is located in the east of the old town of Graz, near the Graz Cathedral, and was built in 1438 by Duke Frederick V, the later Roman-German Emperor Frederick III. Due to the low defense value, the castle was connected by a hidden corridor with the fortress on the castle hill. From 1564 Graz was the capital of Inner Austria and the castle became the seat of the Austrian archdukes. Because of this position, it was rebuilt and enlarged. After Archduke Ferdinand II was crowned emperor in 1619 and moved to Vienna, the castle lost its function as seat of the sovereign and was neglected. In the following centuries, there were several renovations, but only included parts of the building fabric. In 1822, part of the castle was considered dilapidated and between 1853 and 1854 part of the building was demolished. At the beginning of the 20th century, there were again structural extensions and since 1922, the castle of Graz is the seat of the Styrian governor. In the Second World War, the building fabric was partially badly damaged and rebuilt from 1947. Between 1950 and 1952 new buildings were built, which are known as New Castle. Today, there are in addition to the office of the Governor also some departments of the Office of the Styrian Provincial Government. The castle is only partially open to the public. So only the courtyards and the double spiral staircase can be freely visited.

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Murinsel Image by Savh (mobile), CC0, via Wikimedia Commons

Murinsel

The Murinsel (German, literally Mur island) in Graz, Austria, is an artificial floating 'island' in the middle of the Mur river and links the two banks on both sides. At night the blue navigation lights that surround the structure light up. This landmark of Graz was designed by New York City artist Vito Acconci on the occasion of Graz becoming the 2003 European Capital of Culture. Described by the artist as 'A bowl that morphs into a dome that morphs into a bowl…' Mur Island is in the form of a giant sea shell and measures 47 m (154 ft) in length. Two footbridges connect it with both banks of the Mur. The center of the platform forms an amphitheatre. Below a twisted round dome there is a café and a playground.

Kunsthaus Image by Isiwal, CC BY-SA 4.0

Kunsthaus

The Kunsthaus Graz, Grazer Kunsthaus, or Graz Art Museum was built as part of the European Capital of Culture celebrations in 2003 and has since become an architectural landmark in Graz. Its exhibition program specializes in contemporary art from the 1960s onwards. According to The Bartlett School of Architecture at University College London, the Kunsthaus' design sought to be deliberately provocative, innovate museum design by offering a less 'institutional' approach to organising exhibition spaces and employs new materials and manufacturing techniques. The building is an example of blob architecture, and has a skin made of iridescent blue acrylic panels that also double as photovoltaic panels. Owing to its shape contrasting with its surroundings, it is known in local vernacular as the 'Friendly Alien'. Architecture, design, new media, internet art, film, and photography are united under one roof. Kunsthaus Graz was developed as an institution to stage international exhibitions of multidisciplinary, modern and contemporary art from the 1960s to the present day. It does not collect art, maintains no permanent exhibitions and does not have its own depot. Rather, its exclusive purpose is to present and procure contemporary art productions.

Grazer Landhaus Image by Anna Saini, CC BY-SA 4.0

Grazer Landhaus

The Grazer Landhaus in the Herrengasse was built in 1527-1531 as the first Renaissance building of the city of Graz, whose main wing was built from 1557 to the plans of the architect Domenico dell'Allio. The former seat of the estates is one of the most important Renaissance buildings in Central Europe. Characteristic are the ornate arched windows, the airy arcades and the three-storey arcade courtyard. The Baroque Landstube is today the meeting room of the Styrian Landtag, in the Arkadenhof numerous events take place. The country house in Graz is the most important early Renaissance building in Styria. It is the result of several styles and has been completed by several architects. Nevertheless, the country has remained a certain uniformity, since all additions were very carefully integrated into the existing building fabric. Overall, the country house encloses three courtyards: the large Landhaushof, the small country house and the Zeughaushof, which is closest to the arsenal.

Franciscan Church Image by Wladyslaw, CC BY 3.0

Franciscan Church

The Franciscan Church (German: Franziskanerkirche) and Franciscan Monastery (German: Franziskanerkloster) are a church and associated monastery in the centre of the city of Graz. The monastery was founded by the Franciscan order, who still own it, and is first mentioned in 1239. In the church, a high but narrow 14th-century chancel contrasts with the comparatively low and wide nave. The chancel was gutted by a bomb in World War II, and subsequently rebuilt with a new contemporary interior. The stained glass windows bathe the church in light, whilst the chancel is dominated by a grey cast iron crucifix that seems to hover. The organ was installed by the Potsdam based Schuke company in 2004. The original Gothic cloisters of the monastery enclose a monastery garden, and are open to the public. The walls of the cloister are lined with the names, professions and life data of the distinguished burghers and noblemen who were buried in this place between the 15th and the 18th centuries. On the first floor of the monastery, with windows looking into the chancel of the church, is the oratory, where the friars meet for their holy offices. The high tower, one of the more prominent Graz landmarks, is unusual for a Franciscan establishment. It owes its existence to the church's strategic location next to the city walls, and was built as a fortified tower by the city authorities in the 17th century.

Mariahilfer Church Image by Leonhard Lenz, CC0, via Wikimedia Commons

Mariahilfer Church

The church Mariahilf (Mariahilfkirche) is a pilgrimage church and parish church of the parish Graz-Mariahilf in the deanery Graz-center of the city church Graz. Connected to the church is the Minoritenkonvent Graz. The gable above the church portal crowns today a baroque statue of the Archangel Michael, who pushes Lucifer into hell. The other figures of the portal show laterally above the middle door the Order of St. Francis of Assisi and St. Anthony of Padua and above the door the Virgin Mary. The interior of the church looks simple and serious. The large dome over the presbytery was removed as well as the stucco decoration in 1769. The frescoes created by Josef Adam Mölk were also removed (not quite 100 years ago) and gave way to today's simple design. The image of the Virgin Mary on the high altar is considered a painterly masterpiece Pietro de Pomis’. To this day, the monastery buildings are inhabited by Minorite brothers. The monastery also houses the Cultural Center of the Minorites, which hosts events in the fields of music, literature and fine arts. In addition, in the treasury chapel of the monastery find services of the Ukrainian Greek Catholic community, a rom-Uniate church and the Russian Orthodox church to Mary protection in Graz, An ecumenical accommodation instead. The interior and exterior of the Mariahilferkirche has been extensively restored in recent years.

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